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In the spring of 2020, with the isolation brought on by the pandemic, I began to study the eccentric branches on the Little Gem magnolias in the back yard. The limbs would arc and turn and twist and finally produce a bud at the end of the branch. I found the branches as beautiful as the buds with the colorful lichen attached. Further afield, in Overton Park in Memphis, I found branches on Grandiflora magnolias stretching horizontally for twenty feet before presenting a magnificent bud. One ancient tree in particular became a source for several paintings.
In the spring of 2020, with the isolation brought on by the pandemic, I began to study the eccentric branches on the Little Gem magnolias in the back yard. The limbs would arc and turn and twist and finally produce a bud at the end of the branch. I found the branches as beautiful as the buds with the colorful lichen attached. Further afield, in Overton Park in Memphis, I found branches on Grandiflora magnolias stretching horizontally for twenty feet before presenting a magnificent bud. One ancient tree in particular became a source for several paintings.
DIAGONAL #1
45X50”, OIL ON PHOTOGRAPH ON PAPER, PUSH PINS
HORIZONTAL WITH GRASS BLADES
15x60”, OIL ON PHOTOGRAPH ON CANVAS MOUNTED TO CANVAS ON PANEL
LARGE BRANCH #1
32X80” OIL ON PHOTOGRAPH ON PAPER, PUSH PINS
ARC #1
24X40”, OIL ON PHOTOGRAPH ON CANVAS MOUNTED TO CANVAS
BROKEN BRANCH
48X100”, OIL ON PHOTOGRAPH ON PAPER, PUSH PINS
HORIZONTAL #1
12X48”, OIL ON PHOTOGRAPH ON CANVAS MOUNTED TO CANVAS
GROUND UP
48X40”, OIL ON PHOTOGRAPH ON PAPER , PUSH PINS
HORIZONTAL #3
24X38”, OIL ON PHOTOGRAPH ON CANVAS MOUNTED TO CANVAS
LARGE BRANCH #2
40x90” OIL ON PHOTOGRAPH ON PAPER, PUSH PINS
TWIN BRANCHES
72X100”, OIL ON PHOTOGRAPH ON PAPER, PUSH PINS
VERTICAL #5 (DOUBLE DOWN)
40x28”, OIL ON PHOTOGRAPH ON CANVAS MOUNTED TO CANVAS
TWIST
64X60”, OIL ON PHOTOGRAPH ON PAPER, PUSH PINS
DIAGONAL #2
64X50”, OIL ON PHOTOGRAPH ON PAPER, PUSH PINS
BRANCH AND BUD WITH LIGHTNING BUGS
18.5X15”, OIL ON PHOTOGRAPH ON PAPER, PUSHPINS
ZIG ZAG #2, HOMAGE TO YOSHITOSHI'S "ONE HUNDRED ASPECTS OF THE MOON"
42X20” OIL ON PHOTOGRAPH ON CANVAS MOUNTED TO CANVAS